when an artist thinks, he thinks about the strategic placement of the silence and how the dissonance of his thought makes a harmonic of the stillness. iggy henderson has taken our philosophy into another generation. the lessons i had learned from my mentor and compatriot
/ invisible chris darrow / i have tried to instill in a young henderson. though i see the word "hinder" and the word "son" in his name i still
worked to compliment david bowie with the cheerokee slide guitar of jenks "tex" carmen, and side track syd barrett with my avante garde collection of the “ homosexual country music of borderland texas ( circa 1954 ) ” .
it has always been my belief that you don't make talent, you just get out of the way of it. during these recordings we drank six kinds of beer and ate twelve kinds of sushi and on brakes binoculared the post office in the 103 degree heat . listening to these recordings now i can hear
the endless smoking of shag monkey hair tobacco and the cleansing of our palates on watching the first 20 minutes of "the days of wine and roses" over and over again . i think the most important thing, besides the images themselves is the since of ritual that comes from the
concourse of a heart, that upon the giver no one can bestow . though this work is brand new i am already seeing it in the anthology of the
inland empirical future in which they will celebrate the impoverished wolf-tone cries of the invisibles.patrick brayerthe tamales desert 2000
patrickbrayer.com
I finally got your CD and am listening and enjoying.
I also like your taste in "older" women - Theda was always a special lass to me. A looker!
so I like songs 2 and 4 best .
Jackass Ears has a thankfully sauve'-less Bryan Ferry vibe to the vocal, and walks the tightrope between anger and remorse. it drives well, and my only complaint is I would like more vocals, as in more upfront, and maybe some harmony. More of a good thing kind of wish here.
Soft Parade again grabs me because of the vocals, tune, and its leaning toward wistfulness, with some romanticism. I can take romanticism all day long if it is truly heartfelt, and I feel you are from the heart here, and then some.
-Hugh Hues of Reclusive Records
I really liked the CD, Jeannie in a Bottle, and The Soft Parade particularly, good lyrics (which is a rarity these days).
-James Littlewood ( editor of Charm magazine , UK )
released December 16, 2000
Ignatius Henderson- vocals , 12- string , acoustic & electric guitars , bass , & percussion
Patrick Brayer - mandolin , fiddle , lap steel , lead guitar , banjo , vocals & percussion
PRODUCED BY : Patrick Brayer and Ignatius Henderson
Engineered and recorded by : Patrick Brayer
Production coordination: Ignatius Henderson
All songs written by Ignatius Henderson
except : *by ( henderson/ brayer ) ** by ( jerry irby )
all additional composition and arrangement by Patrick Brayer
Recorded at Church Teeth Recording Studio in Upland , California
Mastered at the Institute for Silent Activity , Running Springs , CA
Special thanks to the Patrick Brayer Radio Archives